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ChristopherMoonlight
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ChristopherMoonlight
I'm a filmmaker who uses practical effects puppets, miniatures, and animation to tell mature sci-fi, horror, and fantasy stories. Here, you will see my storyboards, builds, and uncensored material.
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Displaying posts with tag TheQuantumTerror.Reset Filter
ChristopherMoonlight
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I’m pleased to announce I will be speaking as part of a panel about AI in filmmaking at the Midsummer Scream Halloween and Horror Convention in Long Beach, on July 26th. 
How Scary is AI“AI is a hot-button issue in the Horror industry and a legitimate source of both inspiration and anxiety. Still, this is an era of more questions than answers. How is AI already being used to create scares? How will this affect jobs in the entertainment industry? Is AI ethical? Is it dangerous? This panel will explore AI in horror from different perspectives by speaking to creators on both sides of the issue.”
I’m very excited to be taking part in this panel. As you know, I have great enthusiasm for any and all tools that can help independent creators realize their vision and will advocate for their use wherever it will bring prosperity to those who might otherwise be creatively disenfranchised. 
However, you might be coming to the San Diego Comic-Con International that week and be unable to attend. While I won’t be a convention attendee, I will be at the Big Man Comics San Diego COmic-Con Fan Meet Up at Basic Bar and Grill, on Wednesday the 24th. My understanding is that the RSVP has already been booked up but there will be overflow for the event, so if you happen to be around on that night, keep an eye out for me among the very special guests in attendance, such as Nerdrotic and Film Threat
I will have a limited amount of mini-posters and DVDs for The Quantum Terror with me during both events. 
I hope to see you there. 

-Christopher 


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ChristopherMoonlight
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The Quantum Terror Wins Best Indie Horror Movie from Film Threat's Award This

But what's next for the movie and Christopher Moonlight Productions? 
This post will tell you what being a member, here at SubscribeStar, has to offer in 2024.

I’ve told the story before of how I took a few thousand dollars and every resource at my disposal to make an independent horror movie called The Quantum Terror. I knew that I could make it shine brighter than it had any right to but I never dreamed that it would go beyond maybe playing for a bit on Amazon Prime Video, having a very limited DVD release, and then fading into obscurity before I would get a chance to make my next indie film. 
Fate had a different plan for this movie, though, and soon I saw it not only taking off on video-on-demand but also getting a smattering of good reviews, including a great one from Film Threat, a long-time and well-respected film review site that has seen a strong resurgence in popularity among true movie fans over the last few years. With any review comes an automatic entry into their annual award show, Award This!

I believe that this show is already on its way to becoming as impactful and popular as events like Sundance or Comic-Con in the late ‘90s in its own underground way, so when I found out that after being considered by them, along with over two thousand other films that year, I knew I had to buy a plane ticket and make sure I was there, even if it felt like the odds were against me winning. 
Well, win my little movie did.

I was so nervous that I forgot to thank a lot of people who truly deserved to be recognized so I’ll post a full list at the bottom of this article. 
It was a whirlwind weekend trip, with friends, family, red carpet, and then back on the plane and back to work.

Okay so, we won Film Threat's 'Award This' for Best Indie Horror Movie. Now what? Believe me, I'm just as shocked as anyone else, and after the mixed bag of emotions from elation to extreme self-consciousness the inevitable question arises. How do I take this upward momentum and move forward in a meaningful way?
The first thing that comes to mind is to take inventory of what resources I have right now. I had a lot in the works when my new full-time job as a contract graphic designer put the breaks on almost all of it and I haven't had the bandwidth to get those projects back on track. Don't get me wrong. I'm grateful for that work. It’s quickly turning into a career and that’s a great thing. However, I don't feel like resting on any perceived laurels is the right thing to do so now it's time to figure out how to bring everything back online. An award from Film Threat is just big enough that it makes the iron hot enough to strike but small enough that if I don't, nothing will happen.
So, taking stock, what do I have to work with?
My big project is the animated series I'm doing with my co-producer Doug Mayfield, Escape From Planet Omega-12. This one has been prioritized simply because I can do it from home whenever I have downtime. I don't have to schedule talent unless it's for voice recordings which can be done online and almost everything can be built in my garage, shot on a green screen, and then migrated onto my office computer. I'm working with groundbreaking AI technology in ways that I don't believe anyone else has thought of so when things get off the ground (soon, I hope. It's a lot of work and pressure with everything else.) it's going to be spectacular. If it takes off, and I think it can, then it’s the kind of thing I’d like to expand into comic books and video games.

There are two short films that I shot, one with artist and actor Val Mayerik and one called Alien Artifact, which both need editing and VFX work. Alien Artifact needs additional second-unit footage shot, too, now that I think about it. That one is a proof of concept for a feature and if I finish one or both they could be entered into next year's Award This short film category, for consideration. However, I'd be doing those works a disservice if I didn't have a plan to realize them to their full potential.
It’s true that in this day and age of social media, there has to be a story tying all of these things together into a bigger narrative that people will truly care about and want to follow. For more established people it's not as needed but for me, this is the only push that seems to be an option. It’s a good thing because it will help to refocus my discipline for what needs to happen, next. Maybe, I can turn it into something that can benefit more than just me but also the other talents I work with. It's an ambitious plan but one that is born out of necessity.
So, here’s what I’m thinking. 
In the new year, I'm going to start documenting everything for a book and docuseries about how to make low-budget monster movies the Christopher Moonlight Productions way. The book will be much like the one I did about the making of Harbinger Down with lots of pictures but with much more in-depth talk about how to do it, from pre-production to self-distribution, and then talk about winning Best Indie Horror Movie because that's what now ties it all together and gives it credibility. I’ll take some of the bandwidth I use on social media and dedicate it to making notes and journalling behind the wall of my SubscribeStar account, where I’m already doing that for Escape From Planet Omega-12. Both projects can be part of the narrative that subscribers can watch unfold in real-time before it’s all edited together, ask questions about, and give their thoughts on, while I work on it. 
The docuseries will be a slower process, secondary to the actual work that needs to be done to make these movies, but I intend to show the process from different points of view by also including interviews with the people who I’ve either worked with or have indie films of their own that have inspired me. For example, I talked to Alec Gillis who after years of working on some of Hollywood’s biggest blockbusters would love to talk more in-depth about how he created his own film Harbinger Down, which I’ve already mentioned above. I’d love to bring his story and others into this, too. 
It’s a lot but I’ve come to realize, I’m no longer just trying to make movies, I’m trying to build a storytelling empire from nothing and we only have so much time, so why not just do it? 
I hope it’s a ride you’ll be along for. See you in 2024. 

…and now for the ‘thank yous’ that I didn’t get to say on stage. 
First and foremost all of my Indiegogo supporters who made this possible. 
The Cast
Kristin Cochell 
Paula Marcenaro 
Matt Blackwell 
Jordan Michael Brinkman 
Dimitrius Pulido 
and Val Mayerik 
The FX Team
Jenna Green
Heather Lowe 
with additional tentacle effects from..
Alec Gillis & Tom Woodruff, Jr. (of studioADI)
Director of Photography 
Anthony Gutierrez 
1st AD
Paul Dubal 
Frankenstein frontman Dave Grave for the end credits song She Casts No Shadow.
Derek Hunt for contributing to the film score and his patronage.
Producer 
Douglas Mayfield 
Crew
Brent Dickerson and Curry Parker
Movie Logo
David Paul
Poster Art
Oskar Ankarudd
And my wife Faith for her love, support, and playing an eyeball in the movie, along with my beautiful daughters. 
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ChristopherMoonlight

Hey all, I'm sorry there haven't been any recent updates but live has been keeping me busy from t...

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ChristopherMoonlight
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New Public Update Video!
Premiering at 2 PM central, July 23rd, 2023.
https://youtu.be/hoRloJ6Qqrc
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ChristopherMoonlight
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The Quantum Terror is being seen around the world but we still need your ratings and user reviews on IMDb to make it the hit we know it can be. Don't give it a 9 or 10 (or zero) because they'll think you're a bot a delete it. Just be honest. https://www.imdb.com/title/tt5015218/?ref_=ttexrv_exrv_tt 

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ChristopherMoonlight
Public post
https://youtu.be/y0sUeTn0T1w
I did an impromptu live stream, just starting off as a "where to watch The Quantum Terror" info piece but then YouTuber Scribe Light hopped in and it became a conversation about Guillermo del Toro's new Netflix show Cabinet of Curiosity, elevated horror, Nightmare on Elm Street, and what other stories might be told in the universe of The Quantum Terror. 
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